Ilana Zweschi

Ilana Zweschi makes process-based paintings that seek to disarm documents of propaganda and harmful pronouncements. The brushstrokes are determined by an algorithm rooted in color theory and if/then rules.

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Kendrick Corp

Kendrick Corp makes paintings that expose the inherent contradictions of American masculinity. After a weekend that saw hundreds of violent chauvinists descend on our city, it is crucial that we take a critical look at what it means to identify as a man in America today.

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Gabrielle Jones

Australian abstract artist Gabrielle Jones makes paintings that appear like wild bouquets of brushstrokes— energy coalescing into amorphous fleshy forms. They are seemingly sentient heaps of color about "the performative act of painting, capturing the rhythm of movement."

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Robert Otto Epstein

The paintings of Robert Otto Epstein are vividly colored gridded compositions that call to mind 8-bit imagery and 90's computer software. His subject matter is sourced from pop culture and constructed through a rigorous process he derived from vintage knitting patterns.

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Cable Griffith

Seattle artist Cable Griffith is known for his dense, colorful, fantasy landscape paintings informed equally by nature and video games. They are flattened, expansive compositions with different land forms coming together in a single image.

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Benjamin Terry

Artist Benjamin Terry makes playful paintings that use color and form to highlight longstanding painting traditions precisely by veering from them. His paintings bend towards the sculptural and his concern with space is apparent in his immersive installations.

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Ronald Hall

Artist Ronald Hall makes paintings that seamlessly blend figurative elements, painterly abstract passages, and post-pop art flourishes, into compositions that have the affect of a fever dream. They are "a kaleidoscopic fusion of urban energy," he says, that "attempt to challenge the viewers interpretation of what contemporary black art is."

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Emily Gherard

Seattle based artist Emily Gherard creates subdued process-based work that reads as abstract landscapes, but which is actually rooted in figurative drawing. Her paintings balance dense accretions of marks with expanses of negative space, often in dark or muted tones.

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